An empty wrapper sealed in a forensic evidence bag — 'CASE: WHO ATE THESE' — bureaucratic deadpan that flatters the product.
Vertical 4:5 poster recreating the flat two-tone silhouette technique of broadcast drama one-sheets. Solid black background. Dominating the frame at a tense diagonal tilt: a giant evidence bag rendered as pure flat white vector silhouette — no photography, no gradients — its zip strip drawn as a single black bar with a small slider, one folded corner notching the silhouette's edge. Inside the white shape, in flat black silhouette, the unmistakable outline of [PRODUCT — e.g. "a crumpled Rukko tortilla-chip bag"], one corner torn. In the field of black beside the bag, the moral hook in small bold condensed white caps, ranged left on four tight lines: [QUESTION — e.g. "IS IT A CRIME TO FINISH THE BAG ALONE?"]. Top left, a broadcast-style information stack: a small yellow fictional channel tab [CHANNEL — e.g. "SNK 1"], a tiny kicker line [KICKER — e.g. "Snack files"], the title in heavy white caps between two white rules [TITLE — e.g. "THE EMPTY BAG"], two support lines in slim caps [SUPPORT — e.g. "ONE NIGHT TO LEARN WHO ATE THEM ALL"], and a schedule line [DATE — e.g. "IN KITCHENS FRIDAY 9PM"]. Strictly black and white plus the single yellow tab; generous black negative space; the wit is bureaucratic deadpan, not menace. No photographic texture, no gore or weapons, no real broadcaster logos, no watermark, all type crisp and correctly spelled.